I was asked to ‘create’ a Twitterstorm as part of an art project, and I sort of did. While this wonderful Buzzfeed post describes the stages that one goes through, in order to measure the size of a storm and hence the success of my operation we needed a way to describe the extent of a particular one. With Jon Hickman (Degree Leader, Web and New Media at Birmingham City University) I worked up this scale.
It’s an attempt to give a quantitative scale to something that cannot be measured directly in numbers—this is about extent and influence and simple measures are never going to cut it, although as the number of Morans increases so does the number of Tweets and their anger. It’s based roughly on the idea of the news cycle and how the subject of the storm operates within it. We chose the name ‘The Moran Scale’ after Caitlin Moran, whose ability to kick off the storms—and get them featured in the old school media—is unrivalled. As it’s about intensity of storm, a parallel to the Beaufort Scale is entirely intentional.
I’ll write up the xHumed talk asap, Joseph Priestley sending this Tweet:
It is my conclusion that until they can be made safe the bi-cycle must be banned from the streets of Birmingham and other large towns.
— Joseph Priestley (@JPriestley1733) November 5, 2013
Resulted in this reaction (in statistics) up till about 3 hours later:
The best jokes never make it past the subs, but here's a thing I wrote for the Guardian recently. [link]
At some point over the weekend, I decided to out the low level moving on campaign and put my most famous website up for sale on eBay.
I started the site back in the May of 2002, before there were really such things as blogs in the mainstream and the term ‘hyperlocal’ was not even a glint in an irritating theorist’s eye. Pretty much everything that’s ever been on it, and definitely everything technical was written or created by me, I’ve had a couple of ‘columnists’ for short whiles and a couple of bits of ‘holiday cover’ but that’s all. The site was flat, hand coded HTML until I learned of PHP and wrote a simple news updating section. Later I discovered that there wasn’t only a name for such things but software out there to do it more prettily and better.
And now it, or sites like it, are either the future of the media or a disappointment to those that thought they should be.
But, it didn’t start because the media was dying, it started because the media was crap: crap at explaining why people connected emotionally with a place that—when looked at objectively—was a bit shit. Crap at self awareness, crap at understanding real life. The media has changed a little, but mostly the contents have just shifted in transit.
I have always been proud of it being not only independent, but seen to be, so not taking advertising and clearly marking anything churned from a press release was always part of the plan. It was fun at times, maybe important and influential at others, but always fairly time consuming and costly. I’ve got lots of other stuff on now, and for the first time in years a regularly hour-ed job (that’s also in another city)—so it’s time to give up.
There’s also a way in which the landscape of ‘hyperlocal publishing’ has changed—the Corinthian spirit beaten down by encroachment of money or officialdom: from ad sales bullshitters to quango reports that do nothing but serve the interests of the establishment. I don’t have the energy to fight, but don’t want to lose that battle really. So the idea is to let someone with the energy try something else with the cultural cache that the site’s built up. There is a way forward for local content created by people that can reach an audience without aping what’s gone before, but just right now I don’t know what it is.
And I’d like to recoup some of the costs if possible, so I’m selling.
I’ll no doubt return to the themes, and the location, but for now time’s up.
(Here’s what I said just over two years ago about how it all started, I still think pretty much the same.)
From 18th July until September the large glass edition of the Birmingham Music Map is going to be on display at The Public in West Bromwich as part of their Summer Exhibition. It’s free to visit and has a rather nice coffee shop-cum-bar.
Thanks to Jez from the Birmingham Music Archive for his continued support of this.
Forty two piers in to our circumnavigation of the coast of England and Wales we arrived bleary in Saltburn-by-the-sea one morning. Luckily the breathtaking coastline and the warming sun perked us up. Luckily as it was the only time we were captured on video during the trip. It’s for and, we think, going to be part of a documentary about the pier for its 100th anniversary.
Based on current estimates we’re about halfway or just over to finishing writing the book. Then the edits and long search for a publisher begin in earnest. If you’d like to know more then pierreview.co.uk is the place.
Poorly Collected Works 2010-11 is the title of an eBook I pulled together at the end of last year. It sold a few, and jumped into the Amazon charts when it was part of a promotion, but was more of an experiment. In continuing experimentation, now Createspace is working with Amazon UK I made it into a real paperback too. It’s available to buy now at a cheapish price.
It does contain a few treats not in the similar e-book—amongst them a previously unpublished interview with Barney from the grindcore band Napalm Death, a few pieces focussed on the referendum for an elected mayor that was held in Birmingham in the early part of the year, and excitingly I think a small piece of my half of Pier Review—that real book that I’m writing that will come out sooner rather than later.
Createspace also does DVDs/film downloads as well as books—it’s a fairly simple way of creating work and self publishing. You need to fiddle a little with their formatting and do a lot of checking, but it’s easy enough.